An energetic explosive 90 minutes long tour the force for solo jazz drum set. An african shout metaphor that explores the paradox of self slavery and the contradictory. A percussive poem constructed as a jazz drumming tesis developed on 8 Afro American avantjazz masters Max Roach, Andrew Cyrille, Rashied Ali, Ronald Shannon Jackson, Beaver Harris, Famoudou Don Moye, Sunny Murray and Milford Graves.
A science fiction cinematic percussive experience. Composed between 2006-2007. A 7 movement piece inspired in Stanislaw Lem´s ¨Solaris¨ and Carl Sagan´s ¨The Demons Haunted World¨ novels. The piece is a 60 minute long work performance for extended drum set percussion. The instrumentation includes a 7 piece drum set, 2 congas, 2 bongos, an African Djembe, maracas, a big water pot, Gongs, chimes, bells and cowbells; chinese cymbals, wood blocks, and extensive use of voice. The original conception of the piece is acoustic, but electronic sound text is included in a special version of the piece.