Born 1971 in an artistic family. San Luis Potosí, México.
An incessant researcher, Milo Tamez artistic envision urges for a renewed listening sensitivity on drumming and percussion music. He focuses on percussiveness phenomena in nature and reflects it on his inventive and creative approach to music. His study concentration relates to body-mind interwinding, and eukinetic and proprioceptive body-instrument interrelationship. Continuously exploring into new elements of compositional complexities of pure rhythm and sound in Nature. The psychophysical experiencing of energy in time space in human perception, as a system for a unique foundation for expression and evolution.
Tamez instrumental work evolves from an embodiment of organic integrative element sound organization, that nourishes his constructive imagination and inventiveness. He has been a major leading voice in new creative and experimental music for solo drumming and real time composition performance in México. From the minimal-silent reductionist environments to the more energetic, open space free improvising ones; covering multidisciplinary fields with poetry, painting and video art, dance and performance, audiovisual installations and space interventions.
His collaboration with other artists includes AvantJazz projects, New Chamber Music Ensembles, Free Improvisation, Contemporary Dance and Theater, Experimental Music, Film and Visual Arts. He has been active in festivals and art encounters, performing solo and in collaboration with many worldwide renown artists and musicians.
He lives in Mexico City since 2017, creating, developing and producing projects like POLLOCK tambores pintores, TALLER ABIERTO, FIELDS, COLLAGE ENSEMBLE, as participating with many other collaborative projects.